York Minster Interior |
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Minster Interior
York Minster is a Gothic cathedral in York, England and is one of
the largest of its kind in Northern Europe alongside Cologne
Cathedral. The minster is the seat of the Archbishop of York, the
second-highest office of the Church of England, and is the cathedral
for the Diocese of York; it is run by a dean and chapter under the
Dean of York. The formal title of York Minster is The Cathedral and
Metropolitical Church of St Peter in York. The title "Minster" is
attributed to churches established in the Anglo Saxon period as
missionary teaching churches, and serves now as an honorific title.
Services in the minster are sometimes regarded as on the High Church
or Anglo-Catholic end of the Anglican continuum.
The minster has a very wide Decorated Gothic nave and chapter
house, a Perpendicular Gothic choir and east end and Early English
north and south transepts. The nave contains the West Window,
constructed in 1338, and over the Lady Chapel in the east end is the
Great East Window, (finished in 1408), the largest expanse of medieval
stained glass in the world. In the north transept is the Five Sisters
Window, each lancet being over 52 ft high. The south
transept contains a famous rose window.
Photo minsterinside
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Minster Chapter House
The style of the chapter house is of the early Decorated Period
where geometric patterns were used in the tracery of the windows,
which were wider than those of early styles. However, the work was
completed before the appearance of the ogee curve, an S-shaped double
curve which was extensively used at the end of this period. The
windows cover almost all of the upper wall space, filling the chapter
house with light. The chapter house is octagonal, as is the case in
many cathedrals, but is notable in that it has no central column
supporting the roof. The wooden roof, which was of an innovative
design, is light enough to be able to be supported by the buttressed
walls. The chapter house has many sculptured heads above the canopies,
representing some of the finest Gothic sculpture in the country. There
are human heads, no two alike, and some pulling faces; angels; animals
and grotesques. Unique to the transepts and chapter house is the use
of Purbeck marble to adorn the piers, adding to the richness of
decoration.
Photo Chapter_House
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Minster Interior, part of choir screen.
Separating the choir from the crossing and nave is the striking
fifteenth century choir screen. It contains sculptures of the kings of
England from William the Conqueror to Henry VI with stone and gilded
canopies set against a red background. Above the screen is the organ,
which dates from 1832. The West Towers, in contrast with the central
tower, are heavily decorated and are topped with battlements and eight
pinnacles each, again in the Perpendicular style.
Photo choir_screen
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Minster Interior, part of choir screen.
First two of 15 almost life-sized sculptures of the kings of
England from William the Conqueror to Henry VI with stone and gilded
canopies set against a red background. Shown here: William I (The Conqueror)
and his son, William II.
Photo 765b, May 2011
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Minster Interior, part of wall.
Gilded dragon's head thought to be part of a medieval
mechanism to raise the (now vanished) font cover.
Photo 766b, May 2011
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Minster Interior, "Ascension" display (a few weeks after Easter)
Photo 769b, May 2011
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Minster Interior astronomical clock was installed in the
North Transept of York Minster in 1955. It was first conceived in 1944
and designed by R d'E Atkinson, chief assistant at the Royal Greenwich
Observatory. The clock is a memorial to the airmen operating from
bases in Yorkshire, Durham, and Northumberland who were killed in
action during World War II.
Atkinson based the design on the appearance of the sun and stars
from the viewpoint of a pilot flying over York. The mechanism and two
dials were constructed by A C S Westcott and RGO craftsmen.
The front dial shows the locations of the sun and certain
navigational stars as would be seen by a pilot flying south above York
Minster. To locate his position, a fixed circular plate, about 62 cm
in diameter and slightly dished, carries a ground plan of the Minster
and surrounding markings representative of city walls, rivers, and
principal roads. Since the edge of the plate represents the effective
horizon, its centre identifies the pilot's nadir. Mounted behind the
plate is a star-planisphere, based on a north pole stereographic
zenithal projection (a projection from the north pole onto a plane
passing through the south pole and perpendicular to the solar axis).
This rotates once in a sidereal day on an axis passing through its
south celestial pole and located some 13 cm above the centre of the
horizon plate. For decoration it carries a few basic star patterns
(considerably distorted owing to the projection used) and an eccentric
zodiac/ecliptic/calendar ring faced with silver, and restricted in
width to the distance between the solstitial points.
Photo 770b, May 2011
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Minster Interior
This photo and the one below indicate different niche styles
as the Minster was built and rebuilt over the centuries.
Photo 771b, May 2011
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Minster Interior
Photo 772b, May 2011
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Minster Interior
Photo 767b, May 2011
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Minster Interior
Photo 768b, May 2011
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Minster Interior
Angel from the tomb of Archbishop Savage, 1507.
Photo 774b, May 2011
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Minster Interior
Part of monument to Sir William Ingram, died 1625
Tomb Effigy man and wife Tudor Style, are a telling of
their personalities and lives.
Photo 775b, May 2011
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Minster Interior tomb
Photo 776b, May 2011
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