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Stainless Steel sculpure "Kiepenkerl" by Jeff Koons,
part of Hirshhorn Sculpture Gallery
Nov 2008, Photo 81
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Bronze sculpure "Nymph" by Aristide Maillol,
part of Hirshhorn Sculpture Gallery
Nov 2008, Photo 83
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Bronze sculpure "The Burghers of Calais" by Auguste Rodin,
part of Hirshhorn Sculpture Gallery
The town of Calais had contemplated a historical monument for
decades when Rodin learned of the project. It would
commemorate the six townspeople of Calais who offered their lives to save
their fellow citizens. During the Hundred Years' War, the army of King
Edward III besieged Calais, and Edward ordered that the town's population
be killed en masse. He agreed to spare them if six of the principal
citizens would come to him prepared to die, bareheaded and barefooted and
with ropes around their necks. When they came, he ordered that they be
executed, but pardoned them when his queen, Philippa of Hainault, begged
him to spare their lives. The Burghers of Calais depicts the men as they
are leaving for the king's camp, carrying keys to the town's gates and
citadel.
Rodin began the project in 1884, inspired by the chronicles of the
siege by Jean Froissart. Hw conceived the sculpture as a study in the
varied and complex
emotions under which all six men were laboring. In 1889, The Burghers of
Calais was first displayed to general
acclaim. It is a bronze sculpture weighing two tons, and its
figures are 2 metres tall. The six men portrayed do not display a
united, heroic front; rather, each is isolated from his brothers,
individually deliberating and struggling with his expected fate.
At ground level, the figures' positions lead the
viewer around the work, and subtly suggest their common movement forward.
Nov 2008, Photo 87
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Many more photos of Rodin's sculptures, at this museum and
others,
are located here.
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Lunar Bird by Joan Miró
Bronze, 1945, enlarged 1966, cast 1967
Nov 2008, Photo 98
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Bronze sculpure "Eros, Inside Eros" by Arman,
part of Hirshhorn Sculpture Gallery
Nov 2008, Photo 101
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Henry Moore
Henry Spencer Moore (1898–1986) was an
English sculptor and artist. He was best known for his semi-abstract
monumental bronze sculptures which are located around the world as
public works of art.
His forms are usually abstractions of the human figure, typically
depicting mother-and-child or reclining figures. Moore's works are
usually suggestive of the female body, apart from a phase in the 1950s
when he sculpted family groups. His forms are generally pierced or
contain hollow spaces. Many interpreters liken the undulating form of
his reclining figures to the landscape and hills of his birthplace,
Yorkshire.
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King and Queen, Henry Moore
Bronze, 1952-53
Nov 2016, Photo 378
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King and Queen, Henry Moore
Bronze, 1952-53
Nov 2016, Photo 379
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Working Model for "Three-Way Piece No. 3: Vertebrai", Henry Moore
Bronze, 1968, cast 1969
Nov 2016, Photo 402
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Three-Piece Reclining Figure No. 2: Bridge Prop, Henry Moore
Bronze, 1963, cast 1964
Nov 2016, Photo 418
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Three-Piece Reclining Figure No. 2: Bridge Prop, Henry Moore
Bronze, 1963, cast 1964
Nov 2016, Photo 419
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Draped Reclining Figure, Henry Moore
Bronze, 1952-53, cast 1956
Nov 2016, Photo 421
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Seated Woman, Henry Moore
Bronze, 1956-57, cast 1962
Nov 2016, Photo 423
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The Great Warrior of Montauban by Emile-Antoine Bourdelle
Bronze, 1898-1900, cast 1956
Nov 2016, Photo 372
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The Great Warrior of Montauban by Emile-Antoine Bourdelle
Bronze, 1898-1900, cast 1956
Nov 2016, Photo 374
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Self-Portrait with Model at Bergamo by Giacomo Manzú
Bronze, 1942
Nov 2016, Photo 376
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Self-Portrait with Model at Bergamo by Giacomo Manzú
Bronze, 1942
Nov 2016, Photo 377
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Young Girl on a Chair by Giacomo Manzú
Bronze, 1955
Nov 2016, Photo 397
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Young Girl on a Chair by Giacomo Manzú
Bronze, 1955
Nov 2016, Photo 398
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Seated Yucatán Woman by Francisco Zúñiga
Bronze, 1973
Nov 2016, Photo 388
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Seated Yucatán Woman by Francisco Zúñiga
Bronze, 1973
Nov 2016, Photo 389
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Clamdigger by Willem de Kooning
Bronze, 1972, cast 1976
Nov 2016, Photo 394
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Clamdigger by Willem de Kooning
Bronze, 1972, cast 1976
Nov 2016, Photo 395
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Horse and Rider by Marino Marini
Bronze, 1952-53
Nov 2016, Photo 400
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Lunar Bird by Joan Miró
Bronze, 1945, enlarged 1966, cast 1967
Nov 2016, Photo 403
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Lunar Bird by Joan Miró
Bronze, 1945, enlarged 1966, cast 1967
Nov 2016, Photo 404
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Eros, Inside Eros by Arman
Bronze, 1986
Nov 2016, Photo 407
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Sphere No. 6 by Arnaldo Pomodoro
The inner ball represents the Earth and outer ball represents Christianity.
Versions of the sculpture can be seen in the Vatican Museums in Rome,
Trinity College Dublin, the United Nations Headquarters in New York,
the Hirshhorn Museum and Sculpture Garden in Washington D.C.,
Christian Theological Seminary in Indianapolis, the de Young Museum in
San Francisco, Tehran Museum of Contemporary Art in Tehran, and the
University of California, Berkeley."
Bronze, 1963-65
Nov 2016, Photo 409
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Post-Balzac by Judith Shea
Bronze, 1991
Nov 2016, Photo 411
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Voltri XV by David Smith
Steel, 1962
Nov 2016, Photo 413
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Evocation of a Form: Human, Lunar, Spectral by Jean Arp
Bronze, 1950, enlarged and cast 1957
Nov 2016, Photo 415
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Evocation of a Form: Human, Lunar, Spectral by Jean Arp
Bronze, 1950, enlarged and cast 1957
Nov 2016, Photo 416
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Kiepenkeri by Jeff Koons
Stainless Steel, 1987
Nov 2016, Photo 425
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